![]() ![]() The stream is compressed too much, and there's only so much extra detail you can pull out before the image falls apart (as you can see from my charts). #Something like scopebox for the pc skin#An old rule of thumb would be to aim for 70 IRE skin tones, but I wouldn't worry until you get to 40 IRE.įor everybody adjusting your televisions, I wouldn't go too crazy. Usually, one would aim to get skin tones sitting at around the middle of the chart, but that's been cast to the wind like Dany's original plan. The shadows mix in with midtones at 7.5 IRE, and most often, the exposure doesn't reach above 30 IRE. To me, these scopes show that a viewer’s television doesn’t have a lot to work with and misaligned settings could become very apparent. Slide over the images to see before and after versions. I’m trying to hone in on what might look good for Fstoppers readers, not necessarily $3,000 TV viewers. You’ll see the compressed image breaks apart in my waveform and in general. Here are some dark shots, with the exposure brought up about a stop, whites raised, highlights raised a little, and shadows generally left. Remember that you’re looking at these screenshots on a smartphone or computer monitor, which adds its own unpredictability. ![]() However, it might give us a heads up on what Fabian Wagner, the cinematographer, wanted to get across. Understanding that my resulting image is egregiously compressed, I wouldn’t call my testing an exact science. There are plenty of shots from the real episode in the above video, and this way, readers can see what I’m seeing. I'm reading the IRE levels as 0% and 100% bright for simplicity. My method was to take PNG screenshots of the (heavily compressed) behind the scenes content that HBO has online. I briefly pulled some screenshots into Adobe’s Premiere Pro, so I could get a rough insight into the Luma waveform (using ScopeBox). #GameofThrones /Ztv98xNb84- Deanne Mullins ApMy Test Me trying to see who’s fighting whom in the dark. ![]()
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